By Hermann Helmholtz
On the Sensations of Tone is likely one of the world's maximum medical classics. It bridges the distance among the ordinary sciences and song thought and, approximately a century after its first booklet, it's nonetheless a customary textual content for the research of physiological acoustics — the clinical foundation of musical conception. it's also a treasury of information for musicians and scholars of track and a huge paintings within the realm of aesthetics, making vital contributions to physics, anatomy, and body structure in its institution of the actual conception of tune. tough medical suggestions are defined easily and simply for the overall reader.
The first components of this booklet care for the physics and body structure of tune. half I explains the feeling of sound mostly, vibrations, sympathetic resonances, and different phenomena. half II disguise combinational tones and beats, and develops Helmholtz's recognized thought explaining why harmonious chords are within the ratios of small complete numbers (a challenge unsolved due to the fact Pythagoras).
Part III comprises the author's thought at the aesthetic dating of musical tones. After a survey of the various ideas of musical kinds in heritage (tonal structures of Pythagoras, the Church, the chinese language, Arabs, Persians, and others), he makes a close learn of our personal tonal process (keys, discords, development of parts).
Important issues during this 576-page paintings are profusely illustrated with graphs, diagrams, tables, and musical examples. 33 appendices talk about pitch, acoustics, and track, and comprise a truly important desk and examine of the heritage of pitch in Europe from the fourteenth to the 19th centuries.
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Additional resources for On the Sensations of Tone (Dover Books on Music)
On the Sensations of Tone (Dover Books on Music) by Hermann Helmholtz