By Jennifer Ann Bates
In this attention-grabbing booklet, Jennifer Ann Bates examines shapes of self-consciousness and their roles within the tough interface among truth and drama. Shakespeare’s plots and characters are used to make clear Hegelian dialectic, and Hegel’s philosophical works on artwork and politics are used to make clear Shakespeare’s dramas. Bates makes a speciality of ethical mind's eye and on how interpretations of drama and historical past constrain it. for instance: how a lot good fortune and necessity force a character’s activities? might Coriolanus be a greater instance than Antigone in Hegel’s account of the Kinship-State clash? What disorients us and makes us morally caught? The sovereign self, the ethical pragmatics of wit, and the connection among legislation, tragedy, and comedy are one of the multifaceted concerns tested during this incisive paintings. alongside the way in which, Bates lines the advance of deleterious options similar to destiny, anti-Aufhebung, crime, evil, and hypocrisy, in addition to worthy ideas resembling ask yourself, judgment, forgiveness, and justice
“…outstanding…” — Slavoj Žižek in Absolute draw back: in the direction of a brand new origin of Dialectical Materialism
“Reading Shakespeare with Hegel permits Jennifer Bates to provide strikingly unique readings of either the performs and the weighty tomes. She discloses unsuspected parallels among the final trajectories of Shakespeare’s corpus and Hegel’s Phenomenology of Spirit. either culminate in redemptive comedies of forgiveness that extend our experience of the burdens of philosophy and paintings. Bates additionally pushes Hegel towards extra becoming aesthetic interpretations. She clarifies the dialectical value of Falstaff’s wit and Hamlet’s depression, and he or she explains why Coriolanus offers a greater version than Antigone for knowing the gendered collisions of moral existence. a rare instance of the way to learn philosophical and literary texts together.” — Andrew Cutrofello, writer of The Owl at sunrise: A Sequel to Hegel’s Phenomenology of Spirit
“This bold and unique undertaking reminds us why those performs and Hegel’s writings topic to us within the first position, and simply how a lot they need to train us.” — Paul A. Kottman, writer of Tragic stipulations in Shakespeare: Disinheriting the Globe
Jennifer Ann Bates is affiliate Professor of Philosophy at Duquesne college. She is the writer of Hegel’s thought of mind's eye, additionally released by means of SUNY Press.
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Additional resources for Hegel and Shakespeare on Moral Imagination
Hegel and Shakespeare on Moral Imagination by Jennifer Ann Bates